Overall though, the majority of email received has been very positive, and it appears that many people were like
myself and wanted to know more about Dan and his clear acrylic instruments. Others wanted to know more about Dans
other products, and everyone it seems, wants to know more about Dan himself.
Many of you are just happy to see a web site about, and in honor of Dan. One email I recently got shared an opinion
that is actually a fairly common theme that I often hear from others. I thought he summed it up quite nicely
as well as rather concisely when he said "I have never thought that he [Dan] got the recognition he
deserved. He was overshadowed by the mainstream Fender and Gibson people." I couldn't agree more, and in fact,
it was one of the major reasons, or the driving force that lead me to making this site.
Surf the Internet and you will find hordes of sites dedicated to the brands mentioned above, with gobs of information
within those sites. This is a good thing - to be sure - but you will find very few sites and very little in the way of
information about Dan Armstrong. One email to me asked (though in a positive
way) "How did you get into this bit of guitar esoterica?" - I informed him of my teenage years with a clear
guitar (mentioned just a few pages back). And while everything I told him was true, I later discovered an even better
answer to his question than what I had provided. The answer came from a man I don't even know who posted in a bulletin
board on the net. Although he was in a different conversation, his statement, or post, is one I shall never forget. He
went on to talk about Dan Armstrong, and the point in time when the original Armstrong instruments were being made
- stating "When you think about it, in the 60's and 70's - after Gibson & Fender - what was the next biggest name
out there?" Some will no doubt argue his point, and that's their right, but I personally think any arguement
against it is just semantics. I feel his statement is valid, and stands as a testament as to how popular Dan and his
products were, and still are.
All of which brings us full circle, and why I decided to create this web site. Back in 2001 when I first uploaded the
site, I thought I had covered most anything that anyone would ever want to know. I literally tore my
Dan Armstrong instruments apart in order to answer questions that may arise. One would think
that might have wrapped up the subject but not so. Tons of questions obviously remained, and they began to pour in
once the site got better known. Hopefully this update will answer many of them.
However, given the number of people Dan touched in his life, I do realize that even this update will not answer them
all. Given the constant thirst for information about Dan, as well as his products - I have created an additional tab
on the main menu called 'etc.' - aptly named for it is going to be the section to turn to if there is any new, or
updated information about Dan or his products. In addition, if any questions come in that I feel are worthy of posting
to share with the public I will place them in that section as well.
I had hoped that former Ampeg employees (both from the Linden, NJ years as well as from the reissue years through St.
Louis Music)
would have been more forthcoming in the telling of Dan's story, but for whatever reason most do not want to go on
record. Of all the former employees I've interviewed only one - Mr. Steve Constantelos - would step forward and allow
me permission to post his name on the site along with his comments. As to the others, their stories are relevant, even
poignant at times, and as a historical reference and perspective, I have included a few statements from this silent
majority. While I will most certainly respect their privacy, and their wishes, I cannot help but wonder why such
silence exists after so many years. Conspiracy theorists' will no doubt have a field day here.
But for those that still may require answers, or if you just want to chat - feel free to contact me. I answer each and
every email I get and always do my best to answer within a short amount of time. I apologize in advance for the
security steps I've had to take, but with all the spam, bots, and other bad things on the Internet, I've been forced
to observe a few security measures to keep my mail box from overflowing and to make certain that the one emailing me
actually has a 'pulse'. You simply have to observe, then type in a few letters and click OK then my email address will be
revealed. So to email me just
click here.
For those who prefer community discussions, I have set up a Dan Armstrong Blog which I hope will offer some good
interactions among anyone interested in Dan Armstrong or any of his products. You can get there by
clicking here.
You may have also noticed two blank tabs on the menu as well - and you may have already guessed why. As stated above -
last time out I thought I had covered most everything, only to be shown how wrong I was. So when it came to do this
update, I left a couple of tabs blank in case I need to create more sections, or chapters to the site - for since Dans
passing there seems to be more questions than ever before.
To help answer these questions, I have enlisted the help of those who were even closer to Dan than I was, and I have
been blessed to make a lot of new friends while learning a great deal more about Dan at the same time. So many people
have contributed to this update that it would be virtually impossible to list them all. However, a special thanks goes
out to the following, as this update would not have been possible without their tireless work.
Mr. Matt Umanov. When you think about it, you can't ask for a better resource than the man who actually
created the prototype acrylic instruments. Not only did Matt build them, but Dan turned to him on nearly every aspect
of their design. Here he has brought forth a wealth of information as he recounts his experiences working with Dan
building the prototypes and includes some rarely seen photographs and drawings from those years. Last, but certainly
not least, Matt was instrumental in providing me with a great deal of contact information.
Mr. Bill Richardson. When it comes
to the original Dan Armstrong · Ampeg
production instruments, nobody on the planet knows as much as Bill. As a luthier, he studied under Dan and
learned many of his trade secrets. I thought I was fairly knowledgeable about the original acrylic models until I
met Bill. Nothing escapes him, and it was Bill that eventually led me to Matt Umanov. Here he recounts his many
chats and experiences with Dan, while providing rare photos, brochures, and even a hand written letter by Dan.
Mr. Kent Armstrong. None of this would have come to pass had Kent not taken the time to speak with
me and provide me with his fathers contact information. Here he shares his knowledge and memories making the Dan
Armstrong 'London' series instruments as well as the Dan Armstrong effects units. In addition he has also provided a
great deal of information on the reissue Dan Armstrong · Ampeg instruments.
These gentlemen, as well as others quoted within the following pages deserve the credit for this update, while any errors,
or shortcomings are all my own. As one who is but a reporter, of sorts, I can safely say that it would be way
beyond the scope of this site, or any one man, that could point out everything that happened during the incredible,
innovative life of Dan Armstrong. But a glimpse is certainly worth a try, for just as Russell Watson sings, I
too - have "faith of the heart."
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Names and images are TMand © Dan Armstrong / Ampeg. All rights reserved.
All other names and images are TMand © of their respective owners. All rights reserved.
special thanks to the james gang for their music while creating this web site